NaNoWriMo--Day Twenty-Seven, and I'm a Winner, along with first chapter free

Saturday, November 27, 2010

Just about one hour ago, I crossed the NaNoWriMo finish line with a validated 51,625 words.

This has been an incredibly weird journey, to say the least.  But one that I'm very pleased I took.  I've learned a lot about myself as a writer, as well as writing a novel and the approach to that process that works best for me.  I've also learned that if I participate next year, then I will have a better detailed outline from which to work instead of merely a detailed plot. 

By working so fast and forcing myself to keep pace, I've realised that with my last novel (The Gaslight Journal--what?  You don't own it yet?  Stop reading and go buy it:  NOW!) there were some passages that needed more thought in order to make them better, and that was something I did not allow myself to do on this one, and for good reason:  I am too much of a perfectionist, and spend far too much money on lavish luncheons with my nasty bitch-ass critic.

I must say, that writing a novel in this fashion was very different.  I know in my head it works as well for approaching comedy, with everything I know about comedy, but in my heart I SO wanted to go back and edit/pick/re-write, and that's not necessarily a good thing.

Thanks to all who told me I could do this, and encouraged me without abandon.  And special thanks to my word-war buddy, Kevin, who assured me he would continue to stay on my ass until all of Father Jack's story was told (I have another 20,000 words to finish the book).  He beat me to 50,000 words, but in a very sweet letter, he credited me as the reason.





And now, for your amusement, chapter one.

A Most Devout Coward

by

Carla René


Copyright (c) 2010.

Chapter One


Jack Ryan O’Donnell had sat down to a nice, quiet lunch of steamed organic broccoli and distilled hot water; his usual. As he was about to send the broccoli back a third time, a bullet went whizzing by his right ear. Not hearing the actual shot and thinking it was just a fly, he swatted it away when another came very close to shaving his sideburns. This time he looked up from his meal.

Directly across from him at the farthest table with his back to Jack, sat a burly-looking man who was now slumped over his sweet potato pie, and a second who faced the sweet potato-man; leaning back against the wall with his chest contents now being used as a garnish for the pie.

Without registering what had just occurred, Jack noticed a waitress hovering beneath the edge of the lunch counter. “Excuse me, miss!” What an odd time for this woman to be on break.

She yelled back, not daring to leave her spot. “What is it, sir? Kinda busy here.”

“I believe that gentleman over there has spilled all over the table. Would you kindly clean it?”

She could hardly believe what she’d heard. “You have got to be kidding!”

“Miss, I don’t have to tell you how quickly a health inspector will shut you down for this sort of code violation.”

As the waitress was about to rip him a new one, a third shot sent her diving behind the counter. The shooter had turned toward Carlos, the chef, now hiding behind the counter, and put the third slug into his head.

This time, Jack noticed the shooter.

As he turned to make his getaway, he saw Jack staring at him and froze as if contemplating whether to put a .9mm round into him.

Jack noticed every detail of his face: ugly red scar on his left cheek, bulbous blue fish eyes, and black hair with that ugly David Schwimmer haircut from the first season of Friends. I always hated that haircut. Now Matthew Perry--that guy, had a haircut.

Little did Jack realize, these details would come in very handy in the near future.

But before the gunman could eliminate Jack as a witness, a voice in the crowd screamed for someone to call 9-1-1, thus jarring the shooter back into reality and out the door.

Suddenly, the events registered with Jack, and he stood at his table and screamed like a pre-pubescent cheerleader, “Oh my God, we’ve been hit!” Certainly not one of his more attractive qualities.

Slowly, everyone retreated from their positions on the floor, from behind chairs, and lunch counters. As the diner staff made their rounds to see if everyone was okay, the waitress came straight to Jack.

“Sir, are you hurt?”

Jack continued to scream.

This time she shook him. “SIR! Are you hurt? Your screaming is annoying the children.”

Jack calmed himself and shook his head. “I’m all right. What just happened?”

“Well, I’m no forensics expert, but I’d say we just had a gunman blow away two of our patrons.”

“But why? If you’re that unhappy with the food, you don’t blow away the person sitting next to you eating it, you kill the chef.”

“They got Carlos, too.  Is that really what you want to complain about right now? We’ve had two men shot to death and you’re still bitching about your broccoli?”

“I...”

But she had already turned to attend to customers who needed serious attention.



*****



Twenty minutes later, Jack was sitting in the back door of the ambulance wrapped in a blanket, a paramedic taking his vital signs.

“So, Mr. O’Donnell, let me get this straight. You were just getting ready to return your organic broccoli for a third time, when you noticed bullets flying past your right ear? A person eating in public has a reasonable expectation of peace and quiet. That’s disgraceful.”

“I know. I never have to send my broccoli back more than twice.”

The paramedic rolled his eyes, and said, “Okay. You’re fine. I think that detective has some questions for you.”

Jack walked over to the tall man with the brown tweed jacket and green tie, his gold shield displayed prominently on his lapel. “You wanted to see me?”

“Oh, yes, Mr. O’Donnell. Let’s walk over here so we can have some privacy.”

They strolled over to the other side of the street and sat on the steps to a three-story walk-up.

After Jack described the events again, the detective questioned him on the man’s physical details.

“He had this huge, ugly red scar on this face.”

“Right cheek or left?”

“Oh, I never saw his butt.”

After killing his urge to laugh out loud, the detective said, “I mean was it his right cheek or his left on his face?”

Jack blushed. “Sorry. I’m still in shock.”

The detective was unconvinced, but played it straight.

“It was on his left cheek, going down from his cheekbone to his jawbone. About two-inches wide. Looked like somebody got in there with a spoon and...”

“...that’s fine, Mr. O’Donnell, I think I get the picture. What else?”

“His eyes. They were ice-blue. Looked like that fellow from that old frankenstein movie.”

“You mean Marty Feldman?”

“No, I mean Young Frankenstein. You never saw the movie?”

Again, the detective had to stifle the urge to laugh. “So you mean he had prominent eyes?”

“Yes.”

“Good. Anything else you can remember?”

Jack crinkled his nose in disgust. “Yeah. His hair.”

“You mean he had some?” The detective now chuckled at his own joke.

“It looked like Ross from the first season of Friends. Black, combed straight down and very short.”

“Yeah, I hated that haircut, too. Now Matthew Perry--that guy, had a haircut.”

“Exactly."

“Can you think of anything else that may help?”

“Not right now.”

“Okay. Well, since you seem to be the material witness to this crime, I’m going to need you to come down to the station.”

“You mean I’m under arrest? All I wanted to do was send the broccoli back! I mean, I wanted to kill Carlos, but I certainly didn’t shoot him!”

“Calm down, Mr. O’Donnell. You’re not under arrest. I just need you to meet with my Lieutenant. Apparently, no one else but you noticed this man until he had fired 3 shots and was out the door. You’re the only one to get a good look at this hump, and we need you to make a formal statement.”

Jack thought about this for a second, then said, “Um, no way. Ain’t no way I’m going into that dirty station. Nunh-uh.”

“Dirty? What are you talking about?”

“With all due respect, Captain...”

“...it’s detective.”

“With all due respect, Captain detective, I’d rather just have an officer come to my house. There are very few places I go in public, and a police station with filthy criminals is not one of them.”

“Mr. O’Donnell, you’ll be protected--those felons will be behind bars.”

“No, I mean they’re filthy. All that gun powder residue on their hands, bare feet on their bunks, hookers with who knows what. No sir.”

“Oh, I get it: germophobe.”

“And claustrophobe and OCD. What’s your point? Why do you think I drink distilled water? It’s certainly not because it rivals the taste of new Coke.”

“Well, I do understand, but unfortunately, that’s the place where we keep all the pens and paper.”

Jack sighed, clueless that he was being mocked. “Oh, alright. But tell me you’ve cleaned that interrogation room within the last six weeks.”

The detective chuckled. “Not even within the last six months. But I’m certain you’ll survive.”

After forcing the detective to wipe down the back seat of his car with a stack of wet naps, Jack slowly slid onto the lemon-scented seat, but certainly wasn’t happy about it.

“I’m certainly not happy about this,” he said to the detective.

“I’ll make a note of it in your permanent record.”

“Oh dear Lord,” said Jack, “If this goes on my permanent record, I’ll never be able to show my face at that diner again.”

Up in the front seat, the detective could only laugh to himself. Was this rube for real?



*****



Boston’s 12th Precinct was everything the detective made it out to be: loud, noisy, and with a smell that rivaled that of a New York cab. He led Jack through the main lobby and down the hall toward a free interrogation room.

And as Jack had feared, there were no shortage of hookers awaiting their turn for booking. As soon as Jack and the detective walked by, the girls let out cat calls and whistles, with promises of ‘It’s so hot you’ll never go back to your wife.’

As Jack slowed to eye one shapely blond in particular, the detective pushed him forward. “Forget it: that ones a tranny.”

“Excuse me?”

“Tranny. Y’know, a transvestite.”

“Oh, dear Lord. You mean a...”

“That’s right, cupcake. She’s a he.”

“Is that even legal?”

This time, the detective laughed out loud. “Dorothy, where did you grow up, Kansas?”

They reached the empty interrogation room, and again, after forcing the detective to clean the table and chair, Jack took a seat, but refused to rest his hands on the table.

“Would you like something to drink? I’m afraid we don’t have any of that fancy distilled stuff you drink, but I do have some day-old coffee and a doughnut.”

“No thank-you. I’m fine. But I would like to get on with this, if that’s okay. I have things I need to do this afternoon.”

“Oh, sure. Wouldn’t want her highness to be late for tea with the Queen.”

“I’m beginning to think you may be having a laugh at my expense.”

“Naw, that was just sarcasm for no good reason. Of course I’m having a laugh at your expense. We don’t get too many of you “dainty-men” down here.”

“I believe I take offense at that. OCD is not something one chooses, like being gay.”

The detective chuckled. “Well, your sexual proclivities aside, we need to get a formal statement from you about exactly what you saw. I need you to begin writing down everything on this legal pad, and I’ll be back with my Lieutenant and a sketch artist.”

As the detective was ready to exit, Jack stopped him. “Excuse me, Captain detective. But I need some gloves.”

The detective turned to face him. “You need what?”

“Sterile gloves. I’m afraid I just can’t do this without them.”

The detective let out a low whistle. “You have got to be kidding!”

“Funny. That’s the second time I’ve heard that today.”

“Go figure. Look. This is a police station. We don’t have sterile gloves. Just fill out the paper and I’ll be back,” he said while closing the door behind him.

Ten minutes later, Jack, now done recounting his story to paper, used the last of his wet naps to do so.

The detective entered with a tall, skinny man and the sketch artist.

“Mr. O’Donnell, I’m Lieutenant Marcus Grey. How do you do?” he said, while holding out his hand.

“I don’t shake.”

This caught the Lieutenant off-guard. “I’m sorry?”

“I don’t shake. More germs are transmitted through someone’s handshake, than if you were to lick the sidewalk.”

The Lieutenant glanced over at the detective, who simply shrugged his shoulders.

“Alright then, we’ll forgo the handshake. Do you know why you’re here?”

“Yes, I believe I do. Captain detective mentioned something about being a material witness.”

“Yes, that’s right. Do you know what that is?”

“I was the witness to a crime?”

“Yes, that’s partly true, but there’s more. In this case, not only did you witness a crime, but the perpetrator saw you, plain as day.”

“That’s how I was able to describe him in such detail. He turned to directly face me, and that’s when I noticed his features.”

“And that’s very good work. A lot of witnesses are too scared to be able to remember their attacker. But, I don’t think you’re really getting the implications here, and I need to make absolutely sure you know what’s happened.”

Jack felt tired. “Lieutenant Grey, I am very tired. When can I go home? This place is beginning to make me itch.”

“Well, Mr. O’Donnell, that’s what we need to discuss. You were clearly able to identify this perp. Do you know what that means?”

“I’ll have an easy time of it in court?”

The Lieutenant was incredulous at this man’s dimwittedness. “Well, yeeeeeeeeeees, but it also means that while you saw the perp, the perp also got a very good look at you.” He paused to allow ample time for the truth to sink in.

It didn’t take long until Jack’s mind had wrapped around the truth of the matter. He felt sick to his stomach, but didn’t want to vomit, because the thoughts of having to clean it up would make him even sicker. “Do you mean...”

“...that’s right, Mr. O’Donnell.”

Jack was now screaming again. “THAT GUY KNOWS WHAT I LOOK LIKE!”

As dim-witted as this guy was, Lieutenant Grey felt a bit of pity for him. He’d always felt genuine pity for witnesses whose lives got turned upside-down by perps.

“I think I’m going to be sick.”

“Would you like a glass of water?” said Lieutenant Grey.

“I'm not going to vomit into a glass of water!  But distilled if you've got it, thanks.”

Again, the Lieutenant looked at the detective for confirmation, and only received a shrug.

After Jack took a minute to calm down, he said, “So, Lieutenant, what’s going to happen to me? I can’t get killed; I’d die of fright from all the germs before I’d ever die of the wound.”

“I want you to meet someone.” He tapped on the glass, and sixty-seconds later, another tall, dark-haired body-builder man entered the interrogation room. He stood at attention with his hands folded in front of him, and waited.

“Mr. O’Donnell, I want you to meet Special Agent Sharks Avery of the WITSEC program.”

Jack said, “WITSEC? I don’t understand.”

Avery spoke. “Witness Security. Most vulgarly refer to it as Witness Relocation. But, the good news is, you’re now my new bitch.”

Jack could feel the room spinning, and was certain he might pass out, so he made sure to slump his body over the table to keep from falling to the filthy floor. He didn’t need that flesh-eating bacteria in addition to being what most referred to in the hit man business as “next.”

The detective was at his side in a flash, and offered him one of the station’s wet naps to wipe his forehead. “You alright there, dainty-man?”

Jack was certain he was dying. He began mumbling.

“What is it? What’s he saying?” asked the Lieutenant.

The detective bent closer to Jack, then raised his head in anger. “Oh crap. He’s still bitching about the broccoli.”

“Mr. O’Donnell, I don’t know anything about broccoli, but I do know that Avery here is an excellent agent and will do everything in his power to make certain you are safe while you await trial.”

Jack raised his head. “But I didn’t kill that chef! I wanted to, but I didn't!  Why am I going to trial?”

Now, all four men looked at each other. Finally, it was the Lieutenant who spoke. “This is going to be one helluva long case.”

A Politically-Correct Thanksgiving Wish

Thursday, November 25, 2010

I've decided to wish everyone a Politically Correct Thanksgiving, in only a style unique to me. So here goes.

I hope your germ-free table is filled this year with the following (you mean besides antibacterial hand sanitiser?):

A nice, juicy turkey alternative that once assembled clearly resembles a turkey. (And on a bad day, so does my sister.)

Grandma's "Hearty Stuffing" made with sage, thyme, rosemary, sausage-style meat alternative, egg substitute, greased with the "I NEVER believed this was butter" vegan-appropriate butter-imposter, and bread that contains the following which may or may not be derived from animals: mono and diglycerides, exthoxylated mono and diglycerides, glycerides, sodium stearoyl lactylate, emulsifiers and DATEM (Di-Acetyl Tartrate Ester of Monoglyceride). (WOW. Whose mouth is watering over those diglycerides?? Can't you smell it in the oven NOW?)

Cranberry salad with oranges, apples and pecans, but jello-free. (Okay, so this one isn't so bad.)

Top it off with a flourless, eggless, milkless pumpkin pie. (And gutless. Don't forget gutless.)

Hmmn. Doesn't have quite the same ring to it, does it?

Happy Thanksgiving, my friends, no matter what you eat.

NaNoWriMo--Day Twenty, and...Cyanide, Anyone?

Saturday, November 20, 2010

As you will notice, I now have a spiff new NaNoWriMo word war widget in the upper left corner of my screen.  WrytingBear is my writing buddy who threw down the gauntlet earlier this week when he realised I was suddenly beginning to catch up to his word count. He may have thrown it down, I simply chose to write about it.  "It's ON baby, like mascara on Prince."  That's what I told him.

About an hour ago, as you can see from the real time widget, I hit my 40,000 word mark.  My original plan was to push through to 70,000 words.  I'd still like to see that happen, but I've been so tired lately, that I'm afraid my first instinct will be to just stop when I hit 50,000 and leave it at that.  I can't do that--I've already got folks waiting on the mss.

During this week when I was churning out word after word, and thus, kicking WrytingBear's arse (and it was gravy, really), I began to realise something about this process:  In my zeal to metaphorically give him a beat down as we were running neck and neck in word counts, I ended up writing 15,000 words in 4 days. That's more than twice my regular pace, and besides churning out crap I won't be able to use, I completely fried my brain and I was SO completely worn out yesterday that I refused to write and took the day off.

But no more marathon sessions for me. There comes a point when it's good to be writing, and then another point when you're doing it for the sake of a word count that won't mean anything if you churn out nothing but a piece of crap. I'm sticking to my normal chapter length of 2,300 words and pushing through even after it's over for my 70,000 words. That way I'll have a rough first draft, AND I won't fry my circuits in the process.

Today's Featured Author at The Indie Spotlight

Friday, November 19, 2010

http://www.theindiespotlight.com/?p=3475

I did a great and funny interview, discussing my short-story collection, Zen In The Art of Absurdity.

The Indie Spotlight was begun by Edward C. Patterson and Gregory Banks as a completely free way to highlight and showcase independent authors, so please do stop by and drop a comment in thanks for their wonderful efforts.  As a thanks, you get treated to one of the collection's stories for FREE!

And then, get thy butt over to the widget at the right of this screen and purchase the book, already!  Momma needs some new cat litter.

On an unrelated note, today is day 18 of NaNoWriMo, and after doing nearly 15,000 words in under 5 days, I sort of burned out my brain, and yesterday could only get out 2,500.  So I took last night off.  I caught myself beginning to wonder if I've veered too far off my outline and if my plot is developing right and at the right pace.  I wonder if I've been lingering on interesting passages for too long, and skipping over other crucial, yet less interesting ones that are more difficult to develop.  I guess time will tell.

NaNoWriMo--Day Eighteen: cruisin', featured author, and GASLIGHT RELEASE!

Thursday, November 18, 2010

Just a few minutes ago, I reached 37,178 words.  EPIC, BABY!  Is all of it going to be usable?  I doubt it, but at least I've got the basic framework for some great comedy, and that was my only purpose in participating. 

I've also made some fantastic friends--one guy in CA who is a writing buddy, somehow threw down the gauntlet, and now instead of being involved in a race to finish our own novels, we're now in a race to see who finishes their own novels first.  Which is spurring me on to write even during the days I'm tired and really wished I could write Father Jack as being electrocuted because I'm simply tired of him.

On Friday, November 19, I will be the featured author at TheIndieSpotlight.com site.  Edward C. Patterson and Gregory Banks have devoted their precious time to help the independent author.  They feature a different author each day of the week, so please stop by and support their tireless efforts.  And read my interview--funniest thing since M*A*S*H.

As of yesterday, my short-story collection, ZEN IN THE ART OF ABSURDITY (link available to the right of your screen in the Amazon widget) hit #76 in the books > humour > essays category for TOP PAID KINDLE DOWNLOADS, and just a little while ago I, out of curiosity, checked the status of GUNS DON'T KILL PEOPLE...MY UNCLE DOES, and it is now sitting pretty at #66 in the books > entertainment > humor > crime&mystery category.  That is the second time that particular book has cracked the TOP PAID KINDLE DOWNLOADS for that category.

And finally, exactly one week from today on US Thanksgiving Day, my historical fiction novel, THE GASLIGHT JOURNAL, makes its Amazon Kindle debut, and I couldn't be happier!  Again, if you're a beta reader and need a place to slap up your review, simply go to the top of this page, and click on the GASLIGHT link.  It will take you to a dedicated GASLIGHT page that I've set up specifically for your reviews.

That should do it for now.  Keep at it, and remember you CAN do this!

NaNoWriMo--Day Sixteen, and STILL having to defend it??

Tuesday, November 16, 2010

Just because I'm in the Xmas mood
As we walk along Planet Earth, we do a lot of stupid crap from which obviously no one is exempt.  We run out on dates at the last minute because we didn't realise the long line across his forehead was one, big eyebrow, and not the shadow from a ball cap.  We measure our entire lives in dress sizes:  "I'm losing ten to fit into my prom dress."  Then, "I'm losing ten to fit into my wedding dress."  Me?  I'm losing ten to fit into my burial dress.  And finally, and this is my favourite, we buy a snack of a Snickers bar and a Diet Coke.

But the one thing I'm seeing a lot of, and am beginning to get a wee bit hot under my collar about, is that those of us who are participants of this year's NaNoWriMo, are now getting burned for such participation by "real" writers.  I've spent two days of this week alone addressing half-considered comments on another forum in which I'm a contributing author, from writers too proud to admit they don't know everything there is to know under the sun about writing.  Or, about Nano.

"Mandatory word counts?  Ah--that would then explain the myriad sub-par material lining bookstore shelves."  This paraphrased comment from one writer.

Then another, less-snarky author who genuinely questioned the process said this paraphrased comment:  "Seems the only goal of this event is to get 50,000 words in any order saved to a file.  Big deal."

In short, I am a comedy writer.  I love writing comedy--it makes me happy.  So when I sit down to tackle yet another brilliant comedic essay, or my comedic novel (of which I'm currently writing for Nano), for someone like me who deals with the negative effects of a high-IQ to be able to simply sit and write with the express intent of only getting the story out onto the page is extremely liberating!  Comedy writers often employ something I've spoken about before, called a burn draft.  You sit and write your story as quickly as you can with no thought for content, or even quality.  Then you go back and really work it into something of brilliance when the draft is done.  Do you know how often I deal with that bitch editor of mine?  Too often to count.  So when the chance came to sign up for this event, sure, I had my own questions at first, but decided for once in my life not to over think anything and just jump in with both feet and let 'er rip.

And I'm SO glad I did!  This morning before heading to bed at 4 a.m., I hit the 30,000 word mark.  And looking back on it, while there is one scene of dialogue interaction between the two main characters that I've never been so happy with, most of it will remain after the final draft is done, only to be shaped, molded and worked like fine clay into something of brilliance that my readers/fans have come to expect from me (I'm so full of it I sicken myself sometimes).

So let the LA Times columnists of the world roar, I say. Let those who consider themselves to be NOVELists of LITerature piss all over your efforts.  We both know that those who are participating will only take away from the event only what they were meant to:  If you're not a serious writer, then come December 1 you'll end up trashing what you've written, and if you are a serious writer, as I am, then come December 1 you'll put the work away, have a cookie, and then a month later let the revisions begin.

But in the meantime, the next time someone snarks at you for writing a novel that chances are will never see one of those bookstore shelves, just remember this:  with your metabolism, YOU will still be able to enjoy that Snickers bar and Diet Coke, and that snarker?  In about five years when they're too old to remember their name, they'll be gumming their food.

Life's good, innit?

NaNoWriMo--Day Fifteen and Kicking It Up The Arse

Monday, November 15, 2010



Father Ted kicks Bishop Brennan up the Arse
 That's right fans and Twits:  I'm kicking bishops and taking names.

I just LOVE the Britcom Father Ted, and since one of my chapters from this evening introduced my own Bishop Ted Macguire, a MAJOR antagonist to my Father Jack, well, I thought this photo rather fitting.

By the way, did I tell you I have procured special permission from the Graham Linehan to not only reference Father Ted in my novel, but to also quote parts of the series?  I never, ever get starry-eyed over famous people.  Mostly because to some I am still famous from my television and stage work, but also because the friends I've worked with and are colleagues of, are, to me, simply brilliant and talented friends, but to the rest of the world, they're Kip Wingers, Brett Cullens, James Strausses, and yes...Graham Linehans.

However, I was so honoured that Graham not only gave me permission, but SPOKE to me, that I nearly fainted when he replied to my Tweet.  I felt like I'd just met the Pope himself.

Days fourteen and fifteen have blissfully blended together, because yesterday at 9:30 p.m., I went on a marathon writing session with the sole purpose of getting caught up.

As of thirty minutes ago, I had not only accomplished that goal (our cumulative word count up to today was supposed to be 25,000 if we were writing according to their schedule), but surpassed it by 1,063 words (ending up writing a total of 7,605).  Well, one of my writing buddies had topped out at 25,139 and I simply could not be outdone.

So then, what's in store for today?

More writing, of course.  I may now be caught back up with the Nano guidelines, but I'm still sorely behind on my own.  For a 70,000 word comedic novel to be written in 30-days, I need to be writing a solid 2,333 each day, which is about the average length of one of my chapters.

And like the last time the words and story idea simply poured out of me, today's writing was no different because these chapters had little to no research required.  And I've realised that since my Father Jack has severe OCD, I need to incorporate some of those details to make him authentic, as well as make the comedy spark.

However, I've decided to hold off on doing this, until time for the rewrites.  In fact, there's a lot of detail that I'm purposely leaving out until the rewrites.  I think for a novel to be written at his pace, it's the only way to accomplish that and stay sane at the same time.

On a related Nano note, one of my writing buddies that I whined to early on during my dark days of not being able to find my way, sent me a sweet, oh-so-sweet note yesterday saying he'd been watching my word count progress, and was proud of me, and wanted to encourage me to keep going.  Now THAT, is what I call a writing buddy who knows how to encourage you, even when you didn't ask for it!

Off to bed.  Talk tomorrow.  Have a great day, everyone, and keep at it; you can do it!

NaNoWriMo--Day Thirteen and in Labour

Saturday, November 13, 2010

What do I constantly preach here, other than a story should begin at the story, and there is never enough conflict? That's right--that you should shut up your internal editor until after you've completed your first draft. Engage that sucker too soon and you're setting yourself up for nothing more than a hefty dose of writer's block.

So, will someone kindly tell me what the hell my problem is, then? Every time I sit down to write another chapter, all I can hear is my mum snarking away at me from my right shoulder: "This is crap. It isn't funny, and you write comedy. What the hell were you thinking? Macy's is hiring; get a real job. You do know, you're a fecking mad eejit, don't you?"

Well, okay. Mum never used the word fecking and she wasn't Irish, but follow along.

Usually when I sit down to write comedic essays or short-stories, I make them funny as I go. And they come very easy to me. I don't think I've ever had to go into labour for a joke with such pains it feels as if I'm blowing a Saint Bernard out my ass.  Can't remember ever writing a piece in which I needed an epidural.

But with this novel, I'm trying to just create a good, solid story--get that out of me first, and then go back and add the funny--like John Vorhaus and any good comedy writer will tell you to do.

So then, why am I not being able to mentally get past the fact that so far, this is nothing but a right piece of shite? I wrote at least 2,600 words every day back in July and August when I finished GASLIGHT, and it pretty much came out close to the way I wanted it.

But on this, my dialogue sounds forced, the writing seems quite stilted in some places, and there are damned uninvited characters popping up all over the place, wrecking havoc by creating scenes that I haven't even authorised! It's nothing but anarchy in Father Jack's world, and frankly, he's making mine a living hell.

HELP! Tell me how to shut up this urge to want everything to be absolutely perfect before it's time.

The Pedophile's Guide to Love and Pleasure

Wednesday, November 10, 2010

I have decided to forgo my usual update on my Nanowrimo writing experience, for something of more import.

I will make this short and sweet:

http://www.amazon.com/Pedophiles-Guide-Love-Pleasure-ebook/dp/B0049U4CF6/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1289435393&sr=1-1

Amazon, when I called them on it during a phone call about an hour ago, refused to take down the book, citing censorship. Shouldn’t there be a line between common censorship, which rests only on the opinion of the public based on subjective taste, and in disseminating information that can be used in the commission of a crime? What the HELL is Jeff Bezos thinking?

You can damn-well bet that if any one of us types “The Anarchist’s Cookbook” into Google, the FBI and about a dozen other government agencies, including INTERPOL will flag our account and we’ll get a nice little visit.

But let a pedophile do a sneaky search for criteria that will bring up this book, and watch how they get by with it. Frosts my weenie, it does.

MSNBC has now picked up the story. And I’ve watched the reviews grow from 880 when I first pulled up the book at 5:00, to 1,323 just 90-minutes later. And now, as I post this, the count is at a staggering 1,418.

Where do we draw the line?

NaNoWriMo--Day Nine, and getting tired

Tuesday, November 9, 2010

When I finally put the manuscript away last night at 4 a.m., I'd written a total of  6,734 words, thus completing chapters three, four and five.  My total word count thus far:  11,807.  In one week.  ONE.

I'm beginning to get tired (I'm a very light sleeper and hear the least little noise in the house), but have 2,500 words to complete before bed this evening, and I intend to keep the pace.

It seems that switching my writing location has really made this much easier.  And I'm also now hitting parts of the story that do not require quite as much research--I'm simply free to play with the characters and let them run into scenes and burning buildings where they may.

I will say, that it's not funny yet, but that's completely normal.  When you're writing comedy, you don't shoot for funny first--you shoot for a plausible story.  Then you spend your re-writes making passes that concentrate on adding more jokes into the mix.  In the meantime, I have what's called "placeholder jokes;" an unfunny line that merely marks the place where a real joke will go when it's time.

I do, however, have a few places of brilliance, and that keeps me going.

And if you'll excuse me, now that our hero has settled in and had incredible luck so far, I'm about to make his life a living hell, and laugh all the time I'm doing it.  >:D


Honeybump begs the salmon from my Sashimi


NaNoWriMo--Day Eight, and finally hitting my stride

Monday, November 8, 2010

Word count totals so far:  8,326.  I'm still behind the average, but have now knocked out 3,355 today alone, with another thousand to come later tonight, thus finishing chapter four.

Now that I've changed my normal writing place from the sofa with a cat and a laptop to my desktop where I have readily-available research at my fingertips, the writing is going much more smoothly with less hiccups than before. 

Research always trips me up, and it's never one of those things I can do before-hand, since I never know until I actually sit down to write just how I might need certain information or how I might incorporate that into the writing.  So I usually avoid it until it's needed.

Anyway, pushing forward, and should be caught up again by tomorrow.  Have a nice evening, peeps.


And for your viewing pleasure, yet another photo of my Honeybump (next week, Playdoh).

NaNoWriMo--Day Seven, and too sick to write

Feels like I've been trying to get the flu all day, as I'm achy with a stuffed up nose and fever. So, I availed myself of a day off on the couch, curled up with Honeybump, and watched the SVU marathon.

Later today, will resume.  (This really isn't going as well as I'd hoped, is it?)




NaNoWriMo--Day Six, just skipped right over day five

Saturday, November 6, 2010

Nothing happened yesterday, anyway.  OH, except I put up some new Christmas lights around my desk.  I usually save decorating till my birthday on November 11 (make note:  I like Snickers and Broccoli), but just got hit with the festive mood early.

Anyway, so yes, I spent yesterday goofing off again, and trying to amp myself back up for writing.

And today, I did it.  I finished chapter two, thus writing another 2,400 words, and am now pushing ahead through chapter three, with an attempt to finish by tonight so I'm not too far behind on my NaNo word count.  Instead of NaNo's requisite 50,000 in 30-days, I'm shooting for a complete novel at 80,000.

I've often wondered during the last few days the point of pushing ahead with a novel that obviously isn't very good when you first hork it up.  And then I remembered all the trouble I had with continuity on The Gaslight Journal (Making its Kindle debut on Thanksgiving Day!), and found myself grieving because I hadn't written that in close to one sitting and just kept pushing through with it.

Which is, I guess, the reason the experts tell you to write your essays and spec scripts for sitcoms in what they call the "burn draft" style.  Meaning, you park your ass in the chair, and just write--you "burn" through it.  Then once you're done with your literary projectile vomiting, you go back and employ all the techniques you've learned for revisions and edits--thus, shaping it into a thing of beauty that will obviously be ready for human consumption. 

I never knew if that technique worked for novels, but for me, at least on this one, it sorta does.  I'm finding that I'm having much less trouble with details of specifics in previous chapters, thus, less re-reading involved, because I've got Frank Caravechi's younger brother Vinnie already locked in my short-term memory.  I already know when I delve into chapter three in about ten minutes that Sharks Avery is the US Marshal that will help Jack set up his temporary home in South (And not Southwest) Boston.  I automatically know that if Jack takes a tour of his new city, that his severe OCD and claustrophobia will preclude him from riding in a dirty, smelly cab.  Although, if I want to be a real bastard about it, that might create a nice piece of comedic tension.  We'll see what kind of mood I'm in once I finish my Snickers.

So, yeah--it's got definite advantages.

And now my break is over.  Will check in tomorrow.  And thanks for following this sordid saga.  We'll call it, "As The Colon Churns."

NaNoWriMo--Day Four, and Past the Crisis

Thursday, November 4, 2010

I've had some time to calm down, think incessantly about everything, analyse it to death, bring in experts to interpret everything written between the lines, read advice from friends, and have arrived at this sole conclusion: I'm an idiot.

That was a joke.

Actually, I'm tired and sleep-deprived.  But, thanks to the advice of some caring friends, have decided that even if I have nothing but a piece of shite on November 30, at least I'll have something I can revise and re-work.

Thanks all.  Later tonight, I play catch-up and will comment on progress tomorrow.

NaNoWriMo--Day Three, and the End

Wednesday, November 3, 2010

Well, I gave it my best shot.

Today was even worse than yesterday.  After I made my blog post, I at least was able to write another 1,200 words, but for what?  The comments came in this morning on the first chapter for critique that I'd posted yesterday, and the consensus?  Bin it, nothing worth saving.  One guy said there was absolutely no grace to my sentence structure.  In other words, can't string together two words.

I am now giving up writing, period.

Thank-you for reading.

NaNoWriMo--Day Two of the Village Idiot-a-thon

Tuesday, November 2, 2010

You probably can't tell I'm now sleep-deprived.  I know--I'm a rock and hide my feelings well.

Well kiddies, day two hasn't been quite as stellar an experience as day one.  Last night after posting my blog, I went right to work and cranked out a 2,200 word short-story that I have some waiting for, and posted it this morning at my normal bed-time of 6 a.m. for critique.

At 7 this evening, the reviews were in:  bin it, it sucks with no redeemable qualities.

Now.  I'm not ashamed to say, this stung me just a wee bit.  I may be an idiot with delusions that she can make it as a writer, and I may have smelled my socks a time or two before I put them on, but I have my pride.

Needless to say, now I'm completely doubting everything I put into chapter one last night, and as of this minute, I've written all of one sentence in chapter two, with no immediate plans of continuing.  Why should I?  If I can't even get a teeny 2,200 word short-story right, what chance do I have with an 80,000 word novel?

I'm currently so aggravated that if given the chance, I'd put my computer through its appropriate "Windows," and bite the head off nails.  Eh, why not.  I don't get enough iron in my diet.

Until tomorrow.  Hopefully you won't have to peel me from the keyboard shrieking, "Why me, God, WHY ME?"

Rumours of my death are greatly celebrated....

Monday, November 1, 2010

Well, mostly by close friends and family, but follow along.

Today was official kick-off day for NaNoWriMo.  Well, actually, it was last night at local midnight time.  And if you're not a writer, or you are and living under an inkwell, then you might not know that this oddly-difficult to type acronym stands for National Novel Writing Month.  The idea is to get you to park your ass in a chair, wipe the potato chip grease from your fingers, place them over the keys and PUSH.  You write 50,000 words (and to my credit, the rules didn't really say they had to be in any specific order) in 30 days, which roughly comes up to be 1,666 words each day.


Steve Warburton as Jack Ryan O'Hanlan
Original design copyright (c) Carla René.
2010.  All rights reserved.
 About 30-minutes ago, I finished chapter one of my NaNoWriMo novel, entitled, A Most Devout Coward.  I always push for about 2,500 average words for each chapter, give or take 2-300 in either direction.

On a side note, comedy-writing legend John Vorhaus, loved my comedic premise when I ran it by him two weeks ago, and has enthusiastically agreed to read the finished MS and offer me a blurb.  I'm so excited.  Might try and snake a forward out of him while I'm taking advantage of his talents.

I had taken great pains to plot this novel over the last month (while getting my advanced readers' copies of The Gaslight Journal out to my beta readers) and to outline it in great detail.

And yet at 5 p.m. when I sat down to actually write, aside from the opening scene of my protagonist in a diner, I had no clue how I would arrive at the only other scene I knew--the last, with him in the interrogation room at the 12th Precinct.

So.  Day one down, and twenty-nine more to go.  But I think I'll be fine.  I cranked out 2,600 pages every day of Gaslight and had it finished in 6 weeks, so I'm not worried about meeting my quota.

But come back tomorrow.  I may be drooling into my keyboard, screaming for coffee that I don't have, and certain I've seen D.B. Cooper at the local Piggy Wiggly in my sleep-deprivation.

(But I'm having a fantastic ride!)

P.S.--if you or anyone you know is interested in bettering your comedy-writing skills, and you're a member of either Goodreads.com or Shelfari.com, then do a group search my newly-formed comedy writing group, called Writing With My Colored Pencil.  Group name is the same for both.

I started both of these groups, because lately I've been hearing a lot of beginning and seasoned writers say things like, "I wish I were funnier," or, "I wish I knew how to write comedy."  We will be discussing all sorts of comedy writing tools that will make you funnier, even if you don't think you are.  And let's face it:  humour is one thing we all have in common, and apart from sex, it's the one thing that is proven to sell.